Interview - Peace - The 100 Club

Surprises. They’re either the sweetest thing in life or sink like a led balloon. Last night’s surprise was thankfully far from the latter. It was very much a case of drop your plans and get off work to join the queues, Peace are in town. 

For those lucky enough to win tickets to the gig, announced just the day before, they made up a sweaty and cramped crowd whom the band rekindled their love with, after their array of big festival stage appearances over summer. Visitors to The 100 Club on Oxford Street would be blessed with not just Peace but two other acts as well; fellow B-town boys JAWS and Nottingham outfit, Childhood. Both washed the crowd in psychedelic groove and set up the main act of the night. 

They’ve learnt how to do these things now, Koisser and co. The setlist doesn’t look too dissimilar to that of their Birthdays shows almost 18 months ago, but it’s now been tinkered with and mastered. Their ‘1998’ cover kicks things off with it’s most spine-tingling of build ups and the well known songs are rattled off, the crowd growing in liveliness. There’s room for the new too. ‘Money’, ‘Lost On Me’ and ‘World Pleasure’ which are set to feature on their second album, all made an appearance. By the end of the set and ‘Float Forever’, the band were met on stage by sweat drenched teens mauling the various members, Harrison at the back trying to squeeze out the final lyrics and guitarist Douglas Castle hopping aboard the crowd.

After a few drinks and a chance to transform into his ‘post-show’ clothes, I spoke to frontman Harrison Koisser about the show, their second album, and a future third album...

Hi Harrison, how’d you feel that went?

Really well, I thought it went good. It was a really good show.

It was only announced yesterday. Has it been planned for long?

No, pretty last minute, fairly last minute, not very long at all really.

Childhood and JAWS also played tonight, are you big admirers of them?

Yeah, they’re mates, we’ve been playing around with those guys for quite a long time, they’re beautiful bands.

Last year you played a string of shows at Birthdays in Dalston, how did this compare to that?

Yeah, this was quite similar to Birthdays in that it’s quite intimate. I prefer this to be honest, the Birthdays shows were alright but this was really good actually. We haven’t done a show like this in ages, it’s really fun.

You’ve done lots of festivals recently, do you prefer the bigger stages or smaller venues?

It’s two really different things ya know. I think with big festie shows we come off stage and don’t feel tired or drained. Whereas tonight you come off stage and you’re like woah! You’ve given everything to the show, so I dunno which is better.

I saw tonight you had to retreat to the back of the stage as the crowd spilled over...

Yeah, I wasn’t really sure what to do. I don’t really mind that, it’s just stuff gets broken so it’s like ‘I’m off!’

You played three of your new songs tonight. When can we expect the new record?

January. I’m pretty sure it’s January now, because we wanted to do it in August but the closer it got, we wanted to put out quite a bit of material before, and we put out 3 songs, maybe we should put out 4 or 5. Just try something new, get a lot of material out there.

Would you say this record’s evolved considerably from ‘In Love’?

Definitely. I think we’re just exploring more stuff, different things, experimenting with different genres and stuff. We’re all a bit more musical now and we all understand what we’re doing a bit more. There’s a bit more groove on this record.

Are you intending on taking a break after this record?

Nah definitely not. I think we’ll probably tour for two years and then release another album, try and record it during that.

You’ve been pretty much non-stop over the past two years wouldn’t you say?

Maybe yeah. I think that’s the way to do it though isn’t it. While you’re young, just keep on releasing records and see where it goes. I mean the sound will probably evolve quite a bit. 

I’ve noticed you’ve changed your appearance since coming off stage. Do you have any post-show routine?

Yeah, it’s nice putting on a new pair of clothes, I’m energised again. I’ve gone into my after show look!

And have you got any plans to stick around in London for the next few days?

Yeah, I’m staying in London at the moment. I’m gonna do some more writing for the third album. It’s really weird writing for the third album before the second one’s out, but we’re doing that now so I’m gonna stay around for a few months until December.

So there you have it. Keep your eyes and ears open, ‘cos there’s no stopping Peace for now. See their setlist below:

1998

Bloodshake

Toxic

Money

Follow Baby

California Daze

Higher Than The Sun

Lost On Me

Scumbag

Wraith

World Pleasure

Lovesick

Float Forever

By Joshua Shreeve (@JJShreeve)

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Interview - Bipolar Sunshine - Bestival

Bellows of 'so love more and worry less' echo around The Big Top as Bipolar Sunshine's first ever Bestival show comes to an end. The line itself could have been custom made for Bestival itself; a festival where love and happiness rule over all, and Adio Marchant, aka Bipolar Sunshine, may well be one of its chief wielders.

He can go home happy with his final festival of the summer under his belt, which he went about in his usual fashion. Lolloping around the stage in a baggy silk shirt and a now accustomed tall mountain of hair, his striking look and soulful vocals are hard not to notice. I was lucky enough to catch up with the man himself where we spoke about his style, new tunes and his Bestival experience, whilst in the company of Sam Smith wailing within earshot...

How did you feel your first appearance at Bestival went?

Really well, I enjoyed it. It's my first time playing here and I’m new so it’s nice that people turned out, it’s amazing.

You’re here for the rest of the weekend, what have you got planned?

Just go with it, I’m gonna just see where it takes me, no real plans to watch anyone except for maybe Outkast, but that’s about it.

Have you had a chance to look around yet?

I haven’t had time yet, but I think now I’m gonna try and see some bands and I can hear Sam Smith so I’ll probably go and see some of his set which is sounding good. It’s a nice little festival, it’s chilled.

Having played Glastonbury and Reading & Leeds, how do you think Bestival compares?

I like the vibe here, everyone seems really into the music and having a good time. There’s no point going to a festival with a negative attitude so you may as well just try and enjoy yourself. I’m just here to try and help them enjoy it more, I suppose that’s the main thing.

I’ve noticed your interest in your fashion is very apparent, would you say?

Yeah man, to me I don’t really think about it. It’s stuff I feel comfortable in so I wear stuff that I just generally like, I don’t think about it too much or it just gets all a bit ‘mirrory’!

I’m sure you’ll see lots of people around Bestival dressed up, are you doing anything special yourself for it?

I’m just gonna walk around and see some stuff, everyone seems chilled and I’ve seen some mad styles going off.

Are the rest of your band hanging around as well?

Nah it’s just me man. I’ve got a few friends here so I’m just gonna ride with them. Going home now would just be pointless.

What have you got coming up next then?

In November we’re going to Paris and then we’ve got a tour next year so that’s gonna be amazing, I can’t wait for that. That’s just gonna have so many new songs I wanna play because at a festival you’re doing a circuit of songs and there’s not time in between to revise a whole new set of songs. So now I wanna bring in so many new songs and really step the levels up even higher.

If you could tip another artist to do well within the next year who would you suggest?

I’d say ‘Little Silver’. I know a lot of his stuff and I feel like he’s got a vibe which is suiting people, who can really get into it. There’s another guy called ‘August&Us’ that is making some great music in Manchester, so if I were to name it off the top of my head it’d be them two. 

By Joshua Shreeve (@JJShreeve)

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Simply The Best; Four Days of Fun, Frolicking and Foals at Bestival

The festival scene is currently thriving to say the least but amongst the teen-fest of Reading + Leeds and the difficult ticket purchasing of Glastonbury, Bestival sticks out like a sore thumb, or at least its 10-metre high disco ball does. Now at the still tender age of eleven years old, the festival has already matured like a fine piece of disco cheese.

Like Rob Da Bank's World Record breaking disco ball, the Isle Of Wight festival site was glistening from field to field this weekend. The 'desert island disco' theme brought out more glitter, inflatable bananas and 'wavey shirts' more than ever, the acts included. From Andre 3000's silver foil poundland-style wig to Chic's balloon feast, Bestival was once again not just a festival, but a spectacle.

Andre 3000 sprouts a silver barnet.

The crowd for The Port.

Despite festival-goers arriving in full flow on Thursday, the party really kicked off with Outkast making one of their 40 festival appearances this year. With a set that swayed in and out of enthusiasm, 'Hey Ya' spurred enough zeal to fill the rest of their remaining tour dates. Elsewhere on the Friday, the alternative vibes were running strong in The Big Top with Nick Mulvey's surprisingly upbeat set and Bipolar Sunshine's uplifting appearance brought about a euphoric sing-a-long.

Saturday is fancy dress day, vibrant flags included.

Bipolar Sunshine brings his soul to the party.

Saturday threw up a few surprises, not least Sophie Ellis-Bextor's hawaiian, leaving little to the imagination, costume. 'Murder On The Dancefloor' spawned a joyous, reminiscent ambience only mirrored later that afternoon by The Kooks surprise set in The Big Top, whose new album 'Listen' was released this week too. The night quite rightly belonged to Foals, who bombarded the crowd with ferocious party streamers who were left lusting for more plunges into their arms from frontman Yannis Philippakis. It's worth noting however, that the security aren't as reliable as the crowd when you do attempt a crowd surf and end up falling to your peril, as I found out.

Foals turn up the desert island disco heat on Saturday night.

With the final hours of Bestival looming, Sunday turned the island into a paradise of DJs. Major Lazer came up with one of the best live spectacles around, unleashing Diplo in a zorb ball over a sweaty, shirtless, all whistling dance enthusiasts. The love between them and their crowd is almost as strong as that in the blown up beams of the inflatable church (yes really). Whilst this must seem like the most intriguing place to be found in Bestival's boundaries, The Port is possibly even more so. A converted old ship, kept from last year's theme, hosted DJs such as Andy C, Wilkinson and Chase & Status whilst not just fireworks, but also acrobats flew above a sea bemused heads.

Festival-goers enjoy the stranger
sights of Bestival at the inflatable
church (above) and The Port (right).

It's worth wondering how 'Bestival' had been envisaged when the quite frankly poor play on words was come up with over a decade ago. Now though, it's a fitting tribute to just how we should experience festivals today. It's not about silent discos and drop-kicking someone to the face, it's about onstage crowd involvement, acrobatic transvestites and getting married to your boozed up mate in blow up church. 

By Joshua Shreeve (@JJShreeve)